In a similar vein to the girly country folk pop that Scandinavia seems to produce en masse, Swiss-German duo Boy have entered the scene with their debut release Mutual Friends.

From track one “This Is The Beginning,” the LP is set up to be a fairly light-hearted recording. Featuring robust vocals, flowing acoustic guitar, bells, and sweet piano accompaniments, Valeska Steiner and Sonja Glass have laid down a very clean and thoughtfully constructed piece of work.

Boy’s adherence to pop music convention, though, is a little detrimental to the finished product.

At times the songwriting, while endearing, lacks substance and feels forced in its rhyming. For example, on “Waitress” Steiner sings: “While daylight is fading / while traders are trading / while the jukebox is playing / while lovers are dating / the waitress is waiting.

The album is a safe one, with similarly structured tunes and repetitive melodies throughout such that the composition arrangements can feel a little formulaic.

Mutual Friends is an album that never really takes off, provides something new, or hits a climactic point, teetering dangerously into the realm of just being good quality background music.

The girls do show a small appetite for experimentation at the end of “Silver Streets” – drums, then vocals and guitar drop out to be replaced with a piano chime motif and the sound of guitar reverb, a sound that blends seamlessly into the final track “July.”

Love Pop?

Get the latest Pop news, features, updates and giveaways straight to your inbox Learn more

To harness this sound completely would neglect Boy’s pop aesthetic, though incorporating more of these riskier aethetics could be a step in the right direction for a sophomore release.

Get unlimited access to the coverage that shapes our culture.
to Rolling Stone magazine
to Rolling Stone magazine