Sunrise

Laughter and snippets of conversation can be heard sprinkled throughout this debut EP from Sydney four-piece Black Springs. Their effervescent nature is well reflected in this dreamy, hazy collection of songs.

Sunrise is not without punch though – “I See The Man” and “My Knife Never Lies” are two standout tracks. The former is a seven-minute kaleidoscopic space-out that kicks off with a head-nodding, Eddy Current Suppression Ring-inspired drumbeat and meanders into nebulous guitars and echoing vocals.

“My Knife Never Lies” is the EP highlight, a coquettish 60s pop-rock flavoured gem featuring a great mid-song jam, and charismatic vocal delivery that Jim Morrison would approve of.

Elsewhere, the breezy vibe permeates but with slightly less compelling results. The first half of the EP, with obvious influences by the likes of The Dandy Warhols and Brian Jonestown Massacre, is pleasant enough to listen to, but the band haven’t worked quite hard enough to stamp their individuality and creativity onto the first three or so tracks.

“Sunrise” is aptly named sun-soaked opener, but the vocals have been recorded too low in the mix and the repetitive riff makes this simple song unremarkable.

The tremulous guitar on mellow “Temple Song” can’t mask that the song is essentially some basic chords with heavy delay effect thrown over the top, but this is a catchier low-fi number that hits a Kurt Vile nerve.

Despite their laid back demeanour, Black Springs are capable of producing some lush psychedelic rock, with glimpses of song writing ability that bodes well for a full length release.

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